Ceschi Ramos is a rapper and singer from New Haven, Connecticut who has been hopping genres and spilling guts for the better part of two decades.He has been seen outside venues at 3am in Germany playing an acoustic guitar and singing to people that didn’t want the show to end. He has written poems to fans from behind bars whilst locked up on bogus marijuana charges. He has suffered a spiral fracture of the humerus while arm wrestling a marine in Hawaii. He has recorded with and toured alongside some of independent rap music’s most influential figures, including Sage Francis, Busdriver and Astronautalis. He has been in bands described as hardcore, crunk rap, lo-fi synth pop, Latin progressive and psych-jazz-rap. He has crafted abstracted and personal narratives mining the depths of depression and heights of hope. He has slept on countless floors when hotels weren’t in the touring budget and lost girlfriends and jobs all for the love of creating and performing.
Ceschi was born with four fingers on his right hand, which served as partial inspiration for the name of his DIY record label, Fake Four, Inc. Those who have worked with him describe Ceschi as one of the most artist-friendly labelheads out there, a rare breed who values art over profit almost to a fault. Since 2008, he has curated a roster of wildly original and critically praised talent and put out albums from the likes of Open Mike Eagle, Buck 65, Sister Crayon and Dark Time Sunshine in addition to his solo records The One Man Band Broke Up and Broken Bone Ballads.
An engaging, theatrical live performer, CeschiRamos has treated entire venues like a stage, viewing the middle of the audience or an empty barstool as good a place as any to perform a soul-baring folk song or tongue-twisting rap track. Ceschi once described himself in song as “a martyr at most… a failure at least” and said that, “In the eyes of history I’ll be no more than a leaf on a tree.” He knows what it is to suffer for his art and is aware that music exploring the ugliness and sorrow of the human condition will always exist on the fringes of a game dominated by disposable escapism and expensive publicists. Yet he still pours everything he has into his craft, and on any given night you can find him tracking vocals at his cousin’s New Haven studio, warmly greeting fans and friends at a dive bar merch booth or rapping double-time in Japan or Europe for audiences that often don’t speak his language, but are able to see the giant heart at the core of it all.
Crystal Skull Mountain: A bleak and desolate place, cold and sharp as anything. Boasting a menacing grin, it was decided that this would be the setting for the new Gregory Pepper & His Problems album, coming August 21st on Fake Four Inc.
A native of Guelph, Ontario, the singer/songwriter/multi-instrumentalist was acclaimed for his 2009 release With Trumpets Flaring, hailed as “conceptually minded and very, very clever”1. Some even pointed out that “Pepper taps into the demented genius/ambition of Brian Wilson for his orchestral pop songs, which are head-scratchingly great"2 and that “this is an intelligently crafted pop album”3. But while Trumpets was experimental and admittedly lo-fi, Escape From Crystal Skull Mountain is more boisterous and confident, meticulously arranged and produced. Moreover, it features killer performances by Toronto-area musical dignitaries, hand picked from the ranks of Bry Webb and the Providers, Ohbijou, Cuff The Duke, Do Make Say Think, and The Niagara Symphony Orchestra.
After spending the last couple years focusing on the hip-pop side project Common Grackle and countless collaborations with producers and emcees (Awol One, Kirby Dominant, Noah 23), Pepper has returned to short, succinct tunes devoid of samples, loops, and synthesizers. This new record is another step forward in His ongoing pursuit of classic pop filtered through a modern lens, deliberately more focused in its aesthetic than past releases. Elements of power pop, jazz, chamber music and garage rock are fused by infectious melodies and ornate vocal harmonies. Add that to ample brass and string arrangements atop an aggressive rhythm section with most of the 17 songs flowing seamlessly into one another, and you have an album that demands to be played on repeat.
"It takes just a listen to Dear Rabbit to appreciate his song writing and arrangement. To believe what Dear Rabbit does, you must see him in person." -- John Molseed, Pulse Entertainment Magazine
"Denver's Dear Rabbit (the persona of Rence Liam) abandoned rock 'n' roll altogether. His music could not be separated from his performance, as he assumed the role of a hilarious carnival barker in between his songs, which resembled early 20th-century folk ballads…" -- Joshua Levine, Tuscon Weekly
"Dear Rabbit killed it tonight. He live looped layers of acoustic guitar and mellow trumpet, a la Andrew Bird, and then sang into his guitar pickups for yet another layer. . . he unplugged and walked off stage-right into the intimate foyer where an old out-of-tune piano sat waiting. . ."
- Patti Schreiber -
Founded in the winter of 2014 with borrowed guitars and a month long trial of Ableton; Laundry Day began as an experiment amongst friends but quickly found traction both in their hometown of New Haven and in surrounding cities.
With shows at The Bowery Electric, and BAR, supporting roles for bands like You Won't, Frontier Ruckus, The Spring Standards, and Jeffrey Lewis. With friends in high and low places, Laundry Day are all too excited to see what their project has in store for them.
Ricky Swift is a Connecticut born rapper currently based out of Chicago, Illinois.