Entry to this show requires proof of vaccine by card, photo or a negative test result within 48 hours of show time.
Formed in New Jersey by guitarists Tom Malach and Danny Arakaki, the band took a few years to find their flying shape, solidifying into a lineup with Danny’s brother Cesar on drums and Derek Spaldo on bass by mid-2016. Ramping up their acceleration around the time of their 2018 Cosmic Cash debut on Beyond Beyond Is Beyond Records, they’ve blasted through residencies and new songs and sessions and collaborations, relocating to New York, picking up two new members in keyboardist/multi-instrumentalist Pat Gubler and bassist Andy Cush, and leaving a trail of live tapes in their wake. This year, they’ve delivered not one but two new albums for BBiB: the sleek and song-oriented Natural Facts and the sprawling improvisatory opus of One Step Behind. 2019 also saw the first performances by the full Garcia Peoples lineup, a six-person behemoth with Spaldo on third guitar.
With a stash of live recordings accumulating at the Live Music Archive, Garcia Peoples’ music is very much a living entity. Since the release of their previous two albums, songs have started to expand, jam suites have grown, and experiments have been undertaken. The first part of 2019 has seen Garcia Peoples back Philadelphia guitarist Chris Forsyth (an expanded Solar Peoples Band has hit double-drummer overdrive several times now), and joined with guitarist Ryley Walker. They’ve improvised on WFMU, and jammed with the sounds of ocean waves and falling rain at strange late night happenings. Probably something else new and wonderful and weird has happened in the Garciaverse since I wrote this.
Whether or not you thought you knew Garcia Peoples’ music, One Step Behind is something new and beautiful, for new heads and old. No matter where you stand–behind, beyond, or another plane altogether–One Step Behind is ready. For those about to get on the Bus, we salute you.
Watching the Mountain Movers' progression over the course of the past decade has truly been a treat. Their earliest beginnings saw the band documenting Dan Greene’s vast catalog of songs, while displaying a rotating cast of New Haven musicians’ unique skills. The band produced three albums and several singles of polished indie rock in this incarnation. However, their fourth album, 2010’s Apple Mountain, saw the band transition to stranger territory; home-recorded and employing an arsenal of miscellaneous instruments, the record bore a folk-psychedelic element not displayed on their previous work. Shortly after Apple Mountain, constant members Greene and Rick Omonte were joined by lead guitarist Kryssi Battalene and drummer Ross Menze to form, what is now, the band's longest running lineup. The band has since produced a series of singles, lathe-cuts, cassettes, 2015’s Death Magic; an album that melded Greene’s song writing with the bands ability to stretch out and improvise. In 2016, they previewed the "Sunday Drive / No Plans" cassingle (recorded at former drummer John Miller’s home studio), giving us - the listener - the first glimpse into the Movers’ newest modes. Two instrumental improvisations clocking in at just under 20 minutes that bring to mind names like Neu! and Ash Ra Tempel, as much as they do any number of American psychedelic acts of the 1960’s. The band's sixth, eponymous album "Mountain Movers" is bookended by two long-form jams with three perfect, crystalline pop songs sandwiched in between, mirroring both aspects of the band & representing the most fully realized recorded representation of the band's live show to date. Expect it to surface in May, 2017 on Chicago's Trouble In Mind Records.